Info, news & debate
Natural dyes
Rebuilding the flax / textile industry as a commons: Fantasy Fibre Mill
Dave Darby of Stroud Commons and Lowimpact.org talks with Rosie Bristow and Nick Evans of Fantasy Fibre Mill, working to resurrect the flax / linen industry in the UK, as a commons.
Craft in a crisis: helping heritage crafts come back from the brink
With a host of already endangered heritage crafts at even greater risk as a result of the Covid-19 pandemic, what does the future hold and how can we play a part in helping heritage crafts survive and even thrive? Sophie Paterson explores.
“If you’re not living on the edge, you’re taking up too much room”
With the end of 2019 drawing near, nomadic handweaver Eloïse Sentito reflects on a year of significant change, living on the edge while spinning, dyeing and weaving her way from Brittany to Devon.
How to grow your own woad: from seed to harvest
A natural dye you can harvest from the garden, textile artist Teresinha Roberts of Wild Colours explains how to grow your very own ‘indigo’ woad plant.
Meet madder, woad & weld: traditional dye plants of Europe
In this post, textile artist Teresinha Roberts of Wild Colours tells us all about the top three European dye plants for use in natural dyeing: madder, woad and weld.
The Wool Journey Part 6: grading, sorting and storing of fleeces following shearing
In the sixth installment of The Wool Journey by Sue Blacker of The Natural Fibre Company and Blacker Yarns, she outlines the crucial steps of grading, sorting and storing of fleeces following shearing.
Join our new online community Living Low Impact
We’re excited to introduce our new Facebook group Living Low Impact – and you’re invited!
The Wool Journey Part 4: wool attributes amongst breeds, natural colour and health
In The Wool Journey Part 4, Sonja Bargielowska of Blacker Yarns at The Natural Fibre Company considers wool attributes amongst breeds, natural colour and the importance of a healthy flock.
The Wool Journey Part 2: wool attributes – thickness
In the second installment of The Wool Journey guest blog posts from Sue Blacker and colleagues at The Natural Fibre Company, we learn about a key attribute: thickness.
What we’re losing: the joy and satisfaction of crafting things by hand
The video below shows various stages of the production and finish of a 1-metre tall puppet by Jan Zalud. Jan makes all sorts of things – crafted by hand from wood.
Imprint dyeing – a beautiful new way of dyeing textiles using plants
This is a beautiful and interesting way of dyeing cloth by imprinting plant material. Getting a precise imprint on cloth or paper is not new – take for instance the Turin Shroud.
How can we get our clothes from sustainable and non-corporate sources?
This is an interview with Jessica Smulders-Cohen of Greater London Fibreshed, who are trying to build a network of small-scale clothes manufacturers using natural materials produced in the UK.
Support the art of blockprinting fabrics – watch this fantastic video of how it’s done and we’re sure you’ll want to
This hand block printed bed and table linen is made from organically grown cotton, certified by IMO, sourced by Hilary in India and printed at a small workshop in Rajasthan
Craft skills are too important to lose
How many people do you know these days whose work involves traditional craft skills? For every craftsperson in the UK, there must be a couple of thousand working in telesales.