Info, news & debate
Leatherwork
Craft in a crisis: helping heritage crafts come back from the brink
With a host of already endangered heritage crafts at even greater risk as a result of the Covid-19 pandemic, what does the future hold and how can we play a part in helping heritage crafts survive and even thrive? Sophie Paterson explores.
Tales of a winter working in a traditional tannery in Norway
Jessie Watson Brown, a UK traditional tanner, shares some of her experiences and learnings from a winter at Jutulskinn, a traditional tannery in Norway.
Join our new online community Living Low Impact
We’re excited to introduce our new Facebook group Living Low Impact – and you’re invited!
Is leather tanning ethical?
Traditional hide tanner, Jessie Watson Brown, offers her thoughts on the ethics of leather tanning, from large-scale industrial tanning, to home-scale natural tanning.
An introduction to tool sharpening with Robin Wood
“A sharp tongue is the only edge tool that grows keener with constant use.” So said the American writer and diplomat Washington Irving. In this post, we explore the importance of tool sharpening in woodworking with artisan Robin Wood MBE.
How to make a pair of bellows: a step by step guide with Kormak the Carter
In this post we learn from Cormac Stanton how to construct a pair of working bellows, be they for the fireplace or the forge. A member of the Manaraefan Herred Dark Age and Early Medieval re-enactment group, as Kormak the Carter he works alongside blacksmith Mo Swinhosson. Both are described as highly competent early medieval …
What we’re losing: the joy and satisfaction of crafting things by hand
The video below shows various stages of the production and finish of a 1-metre tall puppet by Jan Zalud. Jan makes all sorts of things – crafted by hand from wood.
How can we get our clothes from sustainable and non-corporate sources?
This is an interview with Jessica Smulders-Cohen of Greater London Fibreshed, who are trying to build a network of small-scale clothes manufacturers using natural materials produced in the UK.
The future will be handmade? The prospects for craft skills in ‘developing’ countries
The Future will be handmade? In the information age, the question has an absurd ring. But I ask after listening to Ashoke Chatterjee at the Artisans House in Mumbai. As a long time President of the Crafts Council of India, Chatterjee tells us that ‘The Future will be handmade’. The question mark is mine.
Craft skills are too important to lose
How many people do you know these days whose work involves traditional craft skills? For every craftsperson in the UK, there must be a couple of thousand working in telesales.